Creating and Consecrating Ritual Chalk

Also titled

Magick Chalk: Beyond Mary Poppins

I was asked by some magickal associates of mine to share the ritual and recipe for my magickal chalk. Magick chalk? You read right, so before I begin, why in the hells would you need magick chalk?

The primary use I have for my consecrated chalk is creating magickal circles, specifically circles like the Heptameron style, used to invoke the Divine forces and establish stability and authority before a major magickal working. When I clear out a space, I generally like to draw a line and protective glyph at the door to keep things out. (I could do the same without anything, but I like grounding it into the physical) Writing petitions, drawing sigils, really anything you could write for in magick works well with the chalk. As a note, this type of chalk may scratch chalk boards, but works well on stone and pavement, and even dark or tough cloth. My portable summoning circle is a huge piece of denim and it works on it.

The ingredients are simple:

1 tablespoon eggshell dust. (Wash and dry eggshells from a few eggs, I was told six, but I just collect and use, and grind into a powder. I use my magick coffee grinder for that, use a strainer to get only the finest particles.)
1 teaspoon flour
1 teaspoon hot water (at least, I’ve had to use up to five in some cases)
½ teaspoon ash from a copy of the Headless Ritual written in dragon’s blood ink (One sheet of paper produces 1/2 tsp of ash, if you want to make more chalk at once use a small amount, but I don’t recommend using less than 1/8 tsp)
(A few drops of food colouring if you want, but the ash will muck up the colour)

Simple, stuff we all have lying around. Mix the water, flour, and ash into a paste, then mix in the eggshell. It’s a balance, but add a bit of water if too dry, and a bit more flour if too wet. It should be like a clay or dough. Mix it up. Roll it on a piece of wax paper to get it into the shape you want. It could make several pieces, or one depending on how thick you make it. I suggest thicker, as it is less likely to break that way. Roll a piece of paper towel around it, and let it set and dry for a few days.

Why do I use the Headless Ritual in making this? I’m sure most people know the basic history, it was originally used as an exorcism (which makes it highly appropriate for drawing warding and protective glyphs), but the structure is that of a powerful invocation. That’s why in the Golden Dawn and Thelemic traditions it got rephrased into calling to, and connecting with your Holy Guardian Angel. This part of the invocation I feel makes it ideal for all the other uses of the chalk.

Click for a larger version to print or transcribe

So how do you make the ash? Did you think I wasn’t going to touch on that? At dawn, noon, or an otherwise convenient solar moment I write out the ritual text in dragon’s blood ink, and to be honest, I cheat. I print it out in Greek, and then trace the letters. While I do this I either recite the ritual, or pray to my HGA to abide Within. When I’m done I light my candles of the three pillars, and burn incense in an attempt to represent the four elements. (I use Earth-Myrrh, Air-Mastic, Water-Sandalwood, Fire-Copal) Then I properly perform the ritual. I use the version given in the Mathers/Crowley Goetia. It contains the best segment on authority to me “Hear me, and make all Spirits subject unto me: so that every Spirit of the Firmament and of the Ether: upon the Earth and under the Earth: on dry Land and in the Water: of Whirling Air, and of rushing Fire: and every Spell and Scourge of God may be may be obedient unto Me.” This is why I use incense of four elements, rather than anything else, to tie it into that. After I’ve completed it, I command and pray that my force imbue the text. Then I burn it while repeating that prayer. A few times I feel like it didn’t “stick” and I perform the Headless Ritual again, I’ve done it up to four times to get it just right. Of course then I claimed I did it once for each element, not because I couldn’t get the forces flowing.

To consecrate the chalk, on Sunday in the hour of Mercury, or Wednesday in the hour of the Sun, or any good Solar/Mercurial moment, I place the chalk on my altar. Lighting the candles I perform the ritual, and again command the force to reside in the chalk, to bless it, enliven it, to make spirits obedient unto it, to make it the most badass piece of chalk.

Wednesday Webshares: Death, Demons, and Dead Folks

Well I’m happy to announce my life is returning to normal –well, as normal as the life of someone who spends so much time with demons and hanging around in cemeteries can be. I had to take some time off due to a ridiculous amount of work, schooling, and spiritual dedication. Twelve hour school days plus five hours of spiritual work a day means not a lot of time for anything else. I survived; I’m not noticeably insane from it, so it is time to continue. I have real posts in the wings to put up, and book reviews, but let’s just start with a Wednesday Webshare.

There is an utterly fascinating and informative pamphlet pdf Notes on Death and Dying for Vajrayana Practitioners.  It contains sections that are basically dying and Bardos of dying, death, and rebirth 101; what the signs of death are, how to help those who are dying, etc. The section that interests me the most (and was why it was pointed at me) was about the legal and practical side of properly dying according to Vajrayana ideals.  Death in Vajrayana can occurs days after death in Western understanding, what are the laws and practicalities of leaving a “dead” body undisturbed for a few days until the signs of death begin to show themselves, or can you donate organs while dying properly (which is what I was looking for). Anyways fascinating opinions and information on it, it’s specifically in regard to the laws of Dallas County, Texas, but gives some ideas and some of the hows to go about collecting the proper information.

With 2012 looming closer are you curious what the Mayans actually said about it? I’ll give you a hint: it begins with an F and ends with an Uck All.  A great interview with an archaeologist (re: someone who actually has researched this area) about 2012 and how even what seems to be legitimately coming from the modern Mayans is essentially newage backwash. I’m not surprised but it’s great to see, especially the reasoning on why some supposed descendents of the Maya are talking about it now.

Tara Hefler is looking to make a visual compendium of the 72 spirits of the Goetia as imagined by modern artists.  It is time those wood carvings got an update and I wasn’t a fan of art in the Crowley’s Illustrated Goetia. Like me you can wait for the project to be finished, or if you’re an artist yourself some of the demons still need to be adopted and illustrated if you want to try your tentacle at that.

The New Alexandrian Library recently received paintings of the four archangels by Dion Fortune, gifts from Dolores Ashcroft Nowicki. Awesome artwork, and a great gift.

I’m a taphophile, it’s no secret. In my childhood while my friends’ parents were taking them to Florida or amusement parks or ski weekends or just the C.N. Tower, my mother and her mother would take me to cemeteries all across the province. I grew up spending a lot of time in cemeteries, so it isn’t surprising that I love them and just happen to end up part of a spiritual tradition that requires me to do a lot of my work in cemeteries. While it is an American site I’ve loved following The Cemetery Traveler since I came across it. It essentially just chronicles the journeys of one person through cemeteries, their thoughts and experiences. Fans of dead people and cemeteries should definitely follow it.

Also there is a video on those Jordan Lead Codices. While a lot of the information wasn’t new to me as I’ve been following this personally and academically it was nice to see some of it put down visually.

Review: The Dictionary of Demons – Michelle Belanger

The Dictionary of Demons: Names of the Damned – Michelle Belanger
Llewellyn. 2010. 362 pp. with appendices. 9780738723068.

For the sake of transparency before I start this review I will admit to two reasons why I could be biased toward the book.
1. Michelle is a friend of mine.
2. Jackie, the very talented artist who did the alphabet art and several seals and pieces of art within the book, is also a friend or lab partner.
Of course people who know me, know I’m not exactly easy on most of my friends…

From Aariel to Zynextyur (is he next to your what?) this book has a listing of over 1,500 demons from the grimoiric tradition. This book is an amazing wealth of information on the entities within. Michelle worked strictly from an academic perspective; personal experiences and ideas do not enter into the text, only what information Michelle could dig up from the grimoires. Dig up is a great way to put it, Michelle went through an extensive process of several years of cataloguing these demons and searching for more information, other translations, older manuscripts. The common and popular texts like the Lemegaton and the Book of Abramelin were used, as well as more obscure texts like Liber Juratus Honorii, Caelestis Hierarchia, and Liber de Angelis.

“This book is not intended to be a how-to book on grimoiric magick” (10) instead it is as the title says a dictionary of names that have appeared in various texts. Names, ranks, and powers are given, along with much more. The entries on a demon let the reader know what grimoire they appear in and in many cases the several grimoires they have lent their names too, as well as information like what their name may be derived and distorted from as well as showing how some demons are most likely the same figure but over the course of years scribal errors have pushed their names further apart. Michelle pieces together part of the puzzle of grimoires, by analyzing names and lack of names in different texts Michelle attempts to establish a connection and timeline between the various books. Interspersed with the different entries are small articles by Michelle and Jackie about various relevant topics to the text, such as the scribal process involved in medieval grimoires, the history of Jewish appropriation in Christian mysticism, and comparing different lists of what demon rules what directions.

While most of the book is written in a straight forward manner Michelle was not above the occasional humorous observation. “From the profusion of [love] spells in all the magickal texts, it would seem that practitioners of the black arts had a very difficult time find a date in the Middle Ages” (15) or pointing out that Pist, who helps you catch a thief, has a name that sounds like how one would feel when stolen from (247).

While reading it I only noted one thing that seemed off in that Michelle attributed Mather’s translation of The Sacred Mage of Abramelin the Mage to a 15th century manuscript, when I have always seen the French manuscript dated to the 18th century. All in all I was greatly pleased and impressed with the effort, resources, and scholarship Michelle put into this book. While not a practical how-to guide, this book is an invaluable resource of names and histories for those interested in the grimoiric tradition. I felt the plot was a bit dry, but it had a wicked cast of characters.

Also for those wanting a related, but simpler text, I recommend you check out Michelle and Jackie’s D is for Demon. It is a delightful (not for) children’s book of rhymes leading you through 26 demons. I, of course, got a copy for my two-year old niece to make sure she is brought up right.

Goetia Flow – Tao To Summon Demons

The circles slightly distort my vision as the preliminary evocation comes to a close. My body stands up straight while my mind is present, yet above and beyond me. My mind is a thread in a cosmic spider web stretched far past my little self. I am me and I am more. Attention is turned to my triangle with the seal of Raum drawn red on the black mirror. My mindstream and voice as one dance along the spider web “Raum, mighty Earl, take your place in the triangle.” The spider web thrums as a crow sitting on a dying tree branch forms amidst the smoke and the darkness in the triangle. Raum is told to harm no one in the process of this working, to speak only the truth, and to stay within the triangle for the working. He agrees and I give him his charge, he agrees and I give him license to depart. Slowly I sit down and pull my mind back into me, into a peaceful and empty glowing self.

I know some Goetic magickians have an issue with my style of evocation but the above pretty much sums it up. No long winded preambles on why the spirit should show itself, no threatening and torturing if it is late, no binding and threatening the spirit into service, just a natural flow of myself and the spirit.

I can’t always invoke this way, I assume it is a me thing, just sometimes I can’t get my mind where it should be, but this is the method I always strive for. Now for the horrible puns in the title; Goetia Flow is a poor play on Go With The Flow, and Tao to Summon Demons is a poor play linguistically and spiritually on How to Summon Demons. Yet in a loose way they describe what I feel I do.

As mentioned briefly in my Secrets of the Summoning Circle post I view the circle style I use less about protection and more about connection. Within the circle I’m reaching far beyond Kalagni the university student, occultist, sex-god, whatever, and I’m reaching up into the highest aspect of the divine that I can access. I find at that level there is less effort and more flow. Abstract but that’s the way it seems. I erroneously call my summoning style Taoist, not because it has any connection to Taoism -because it doesn’t- but most people who are familiar with Taoism understand what I mean there. Taoism can be translated as Path, Way, and Natural Order, and that’s what I find relevant to my evocations. When I use the traditional Goetic methods or variations of such, there is a feeling of a battle, my will against the demon, the forces I can wield against the spirit. Yet in my preferred method there is no such battle, it is just the way of things, the natural order.

When in my circle, connected to the highest divine I can reach, the entire process seems natural, normal, just the way the universe works. When I reach out and call the spirit there is no sense of command or ordering, and I don’t feel the spirit is threatened or forced to appear. Instead the spirit appears because that’s the way the universe works. When I spill my cup of tea the tea flows out of the cup across the table and if it finds an unlevel section it rolls down the incline. Not because the tea is forced, coerced, or threatened, but water flows downhill and that’s the way the universe works – at least in sections of the universe with enough mass to create sufficient gravity to cause water to flow toward the focal point of the gravity, but let us not nitpick. To me this is much the same as my summoning. I’d call it Effortless Evocation, but that term has problems too, and yet it does feel effortless as long as I reach this mind state. Once I’m in the “flow” of the universe, the spirit just comes because that is what it does, when I tell it to stay and be honest it does because that is what it does, when I give it a command and have it depart it does as I request because that is what it does. In this flow the universe just works; hot air rises, water flows downhill, entropy increases in closed system, and Goetic spirits respond and obey to divine forces without pressure or struggle.

Part of me thinks this is so clear in concept and explanation, yet another part of me feels this is something that I’m not explaining right. While sometimes summoning and dealing with spirits is a battle of wits and wills, I find sometimes it is a peaceful and effortless exchange that occurs simply because I am part of the Divine and when in that flow the spirit responds to that because that is the natural order of thing.

I know some Goetic magickians love pointing out why I’m wrong, or endangering myself, or even deluding myself. So far this process has worked for me with no horrible backlashes, and I feel –simply put– to quote dear old Uncle Al, “Success be thy proof.”

Secrets of the Shattered Name

Sorry for the lack of posting. The last few weeks have been hectic. I took very ill for a while -an unusual occurrence for me-, I’m preparing for some large ritual work so getting and making supplies along with ritual purification, and lastly now is that time of year when professors like to believe that you have no course other than theirs and try to cram in as many tests and assignments as they can before exam period. While my obligations are lightening they are still heavy for the next two weeks or so. As such I haven’t had time to write up a proper post. Below is an article I wrote for a friend’s book on demons, as I mentioned last time I posted such an article the format of the book changed so my article was excluded though the information was still used to some extent. Hopefully I’ll get something original up here soon, and if this week continues in the same manner it begin I’m sure it will be amusing. This article continues Hebrew characters which appear to post correctly on my end, hopefully they display properly for everyone else.

Intrinsically bound to the nature and use of the demons in some the Judeo-Christian magick systems would be the names of their controlling angels. Perhaps the most important set of angels would be the Shem ha’mephorash angels, or the angels of the Interpreted Name, also translated more poetically but less accurately as the Divided Name, or Shattered Name. The Shem ha’mephorash angels are a collection of 72 angels that were carefully devised or discovered –depending on your interpretation– by early Jewish Mystics.

The Names of YHWH are many, and many were considered lost by the Jewish Mystics. In an attempt to discover the lost Names, the mystics applied a variety of Qabalistic techniques to a variety of names and verses to try to discover more. In one attempt they focused on the number 72, one of the Sacred Numbers associated with YHWH’s name, because of how it enumerates in a triangle.

י (10)
יה (15)
יהו (21)
יהוה (26)
72

Writing a Name or a Word in this pyramid style of increasing letters was a method of making a token of increasing or calling upon the Name or Word, writing a Name or Word with decreasing letters was a method of banishing the influence. Because of the importance that was put upon the number 72, for this and other reasons, the mystics searched for an incident in the Torah where one verse had 72 letters. After a long study of the Torah they came across three such verses that happened to be in a row, in English names and notions that would be Exodus chapters 14, verse 19-21. These three verses were written atop each other, the first verse being written normally (which in Hebrew is right to left), the verse below being written left to right, and the final verse being written normally again. To further decode these verses, the mystics read them downward, forming seventy-two sets of three letters each, and at the end of each triplet a divine or angelic suffix was added, either Iah, or El, as those are the most common suffixes in Angelic names. This gave the mystics seventy-two Angels with which to work. The Shem ha’mephorash includes many angels that are unfamiliar to many people, such as Mabahiah but also contain some of the more common or popular angels, like Michael (though the spelling is just slightly different, so it is unknown if this refers to the Michael).

Early modern translations of the Goetia from the nineteenth and twentieth century often began with a single word of warning “Shemhamephorash.” This was often not understood, though the Golden Dawn took it as advice, and began to pair up the Goetic Demons, of which there are seventy-two, with the Angels of the Shem ha’mephorash. Their attempt was admirable and according to some did create a workable magickal system, but more recent developments have cast their attributions into disfavour, if you take Dr. Rudd as correct at least.

One interpretation of the warning of “Shemhamephorash” at the introduction of the Goetia, is that it is advocating for their use as a protective force, but at the time the grimoire was written the use of the Shem ha’mephorash was so widely understood and applied, that it didn’t require repeating. In much the same way, many magick and psychic books don’t include Shielding, Centring or the Lesser Banishing Ritual of the Pentagram, because it is expected that people either already know this, or it is not repeated because it can be easily found anywhere. Another possible reason is that the Shem ha’mephorash was a part of the Goetic grimoires, but was later removed or lost in a transcribing/translation of the text.

Recently the Goetia of Dr. Thomas Rudd, an associate of John Dee, has come to light, and it is one of the earliest translations of the Goetia that has been recovered. The trait that sets this book from other versions is its inclusion of the Shem ha’mephorash. In it, each Goetic Demon is linked to an Angel of the Shem ha’mephorash, which is regarded as its controlling Angel, and it is this Angel that helps contain the Demon on a one-on-one basis, while the magickian works with them. The Angels are simply applied to the Goetic Demons in order, a thought which did not occur to the Golden Dawn, and as such their correspondences of the Goetic Demons with the Angels are different.

Not all who work with the Goetia have accepted this new finding, some feel it is unnecessary, whereas some feel it was Dr. Rudd’s personal addition to the system, rather than something that was a part of the system from an earlier time. The good magickian would be wise to take time and experiment both ways, before falling into such an opinion.

Review: Qabalah, Qliphoth and Goetic Magic – Thomas Karlsson

Qabalah, Qliphoth and Goetic Magic – Thomas Karlsson
Ajna bound.  2004-2009.  230pp. 9780972182010.

“The light side represents an ideal order in religion and myths, while the dark side represents the wild, overgrown infinity that hides beyond the limits of order” (17).

Most magickians in the West at very least know of the Qabalah, some may know of the Qliphoth -the dark mirror of the Tree of Life- but few understand and engage these forces.  Karlsson has produced a rare book dealing with these forces, very academic, well read, and balanced with personal insight and experience.

The book starts with Karlsson’s collection and interpretation of various models of the Qliphoth, presented as information not dogma.  The reader gains insight into several different how, why, and when theories for the Shells and their formation.  Along the way Karlsson is gracious enough to include citations for those looking to personally research this oft overlooked aspect of Qabalistic magick.  He covers a variety of topics related to the Qliphoth; the nature and origin of Evil, the nature and role of Satan and Lucifer, the Kings of Edom, and Solomonic Magick.

Through the presentation of the models of the Qliphoth the reader comes to understand -regardless of origin- the primal, chaotic, and potentially damaging forces they represent and Karlsson freely notes that this “dark path does not claim to be for all” (19).  He is right to make such a claim; it is rare to see such a path, so very much of the Left-Hand, expanded upon.  The path he lays out, based upon personal and group experience, truly involves the magickian turning from “the light,” away from the process of Divine Creation, and to descend into the subversive wasteland reality “beneath” our own to find power and enlightenment there.  It is a path fraught with challenges and risks, not for the faint hearted, and I am delighted to see such a work.  Books dealing with the darker paths in my experience have tended to be apologetic or sensationalizing the “awesome uberevilness” they represent, and Karlsson falls into neither of these categories.  He doesn’t shy away from the darkness of reality and he doesn’t try to sell it to horror and evil thrill seekers.

He doesn’t offer a “complete” path, as such a goal is too much for any book, and he reasonably explains that “[t]he Qliphoth above Thagirion are too abstract for the magician to be able to work with without experienced guidance” (142) and in an odd way it is nice to see a book that is willing to recognize the limitations it has as a printed medium.  The Shells and Tunnels are discussed, as well as a form of Goetic magick more appropriate for the Qliphotic magickian, all explained with a rational tone and rich visual depiction.

I definitely took a lot of theory from the book, and many resources for the next time I’m researching the Qliphoth.  It is greatly pleasing to see this book reprinted, as I wasn’t able to get it when it first came out, and after reading the book my pleasure is only increased.  Really this is a phenomenal and unique read, especially for Qabalistic magickians, or anyone taking a Left-Hand path.