For well over a year I cultivated my sorcerer’s plant, and in that time it was a good focus and tool, and in the end it proved to be a great ally. Two weeks a good I began the process of consecrating and ensorcerelling a new one. Since people asked me about it, I asked the spirits who helped guide me to the plant, and I have a green light to talk about it. (I figured since it was part of a tradition of sorts, I needed permission to discuss it exactly, rather than in broad strokes)
So to start, just what is a sorcerer’s plant? It’s a hard question to answer, but most simply it’s a living (literally) talisman. Now a lot of us magickal folks (myself included) see some of our talismans and objects as alive, but this literally is alive on a biological level. A sorcerer’s plant has several purposes. It’s a focal point of power, it’s a very lively plant, and can be used to draw energy from, far more than you could from a regular plant, but it’s more than a battery, because it’s a focal point of different entities, and nests, and sacred places. (Nest in this tradition refers to a Dragon’s Nest, what most people would understand/call a nexus point of Ley Lines, a point of convergence of flows of power across the land) Through the plant you can access, if in a limited way, places and entities that are distant. (The spirits who set me about working on the plant told me that a long-lived and powerful sorcerer’s plant would eventually shift the flows around it to become a nest of its own. I don’t know if I believe that, or if it’s true, they might have been speaking out of their ass-trals.) It also has a more active plant genus attached to it, a more conscious spirit.
The plant also becomes an early warning system. The method of consecration causes a type of mirroring or interference between you and the plant, so a lot of stuff directed at you runs through the plant. In the case of attacks or malefic magick, this means the plant can absorb it, and it will affect the plant instead or first. Also the way it’s powered and connected makes it a great ritual ingredient for heightening trance states and the like. There is more to it, but any competent magickal folk will also start figuring out their own uses to it, and potentially tweaking it.
Regarding the early warning system, that is why I’m consecrating my second plant. I was recently a target of some malefic magick (since dealt with) which involved some pretty impressive signs. A dead mouse beside my offering dish, and the wards I drew on my walls before painting literally bled through the paint, and my healthy and living plant became mush. It didn’t just die or whither, it was suddenly a pile of goo held together by its skin. I don’t know what would have happened without it, but to turn a plant to mush, I’m pretty sure it took the brunt of it. I had found it useful before this, but this really drove it home.So first one must acquire a plant to become the receptacle. I was told to acquire “the plant of immortality,” and my first thought was the Epic of Gilgamesh, but it was accompanied by a mental image of an aloe vera plant. Now supposedly (internet says) the Khemetic people called aloe vera the plant of immortality, but regardless it matches up, and makes sense to use aloe because of its gel (more on that next post). There are a couple of species of aloe vera, I personally recommend one with fewer larger blades, rather than many small ones. If you’ve never grown an aloe before, I recommend googling how to, they can be tricky plants, especially if you’re used to “normal” house plants, not succulents. Then you need a pot, it doesn’t have to be a fancy pot, but large enough for the plant (again google what type of pots and setups are best for aloe), and preferably a touch deeper than needed. The most vague part of the instructions I was given was “make the pot magickal.” So I repeat that to you. I did it by using food colouring to paint the seals of some of my planetary angels on the inside of the pot and a few personal symbols related to the tradition. I used food colouring because it’s a terra cotta pot, so it absorbs well, and I didn’t want to use something like paint that would potentially be harmful to the plant.
Now plant the aloe into the pot, don’t fill it with dirt all the way to the top though. Leave some room. Almost to the top.
In most cases an aloe vera plant can be watered every two weeks, which just happens to sync up pretty excellently with the lunar cycle. I was told to water the plant on the New Moon and the Full Moon. Every once and a while in a really dry period I might need to give it a bit more in between, but save the full watering for the New and Full moons.
Next time I’ll discuss more on how it’s consecrated, nurtured, and worked with.